DAU. New Man is the seventh film in a long series that begins with DAU. Degeneration. Maxim and his companions take part in secret experiments aimed at creating a “new man.” Maxim despises everything he sees at the institute: alcoholism, weakness, and the loss of ideals. Vika (Victoria Skitskaya), a waitress, falls in love with him but is frightened by his fascination with eugenics and violence. She hopes that her love can soften him.
At the thirty-four-minute mark, Victoria Skitskaya and a man share an exciting, wet French kiss. After having a drink while sitting at a table, they kiss again; she sits on his lap, and he slips a hand under her skirt to masturbate her. Shortly after, the two have sex on a kitchen table. It is the extended version of a sequence we had already seen in DAU. Degeneration. At the 85-minute mark, the two have sex again, this time in a bed.
At the thirty-four-minute mark, Victoria Skitskaya and a man share an exciting, wet French kiss. After having a drink while sitting at a table, they kiss again; she sits on his lap, and he slips a hand under her skirt to masturbate her. Shortly after, the two have sex on a kitchen table. It is the extended version of a sequence we had already seen in DAU. Degeneration. At the 85-minute mark, the two have sex again, this time in a bed.
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