In the film Eve and the Handyman, a mysterious woman (Eve Meyer, the director’s wife) silently follows a handyman through the streets of Los Angeles, curiously observing his eccentric daily habits. Unaware that he is being followed, the man carries out bizarre and surreal odd jobs in various corners of the city. With comic and sensual tones, the film plays on the contrast between voyeurism and routine, typical of Russ Meyer’s style.
At the fourteenth minute, Iris Bristol enters a laundromat, takes off her clothes, puts them in a washing machine, and walks away totally naked, filmed from behind. At the fortieth minute, Eve Meyer is hitchhiking with little success. To entice drivers to stop, she strips down until she is left wearing only her panties. However, the camera angles do not allow us to see her breasts. At the fifty-six-minute mark, Jacqueline Stevens poses nude for a class of art students.
At the fourteenth minute, Iris Bristol enters a laundromat, takes off her clothes, puts them in a washing machine, and walks away totally naked, filmed from behind. At the fortieth minute, Eve Meyer is hitchhiking with little success. To entice drivers to stop, she strips down until she is left wearing only her panties. However, the camera angles do not allow us to see her breasts. At the fifty-six-minute mark, Jacqueline Stevens poses nude for a class of art students.
