The series dedicated to the werewolf Waldemar Daninsky, played by Paul Naschy, is one of the pillars of Spanish horror in the 1960s and 1970s. After several chapters with different directors, the cycle achieved unprecedented international success with La Noche de Walpurgis (AKA The Werewolf vs. the Vampire Woman), directed by León Klimovsky and written by Naschy himself. Considered the film that kicked off the Spanish horror boom of the 1970s, it is still the actor’s most profitable work and marked the beginning of a long collaboration between Naschy and Klimovsky. After the events of La Furia del Hombre Lobo, Waldemar Daninsky accidentally comes back to life and finds himself once again a prisoner of his curse. Two students searching for the tomb of Countess Wandessa arrive near Daninsky’s castle and are welcomed by the mysterious count. The discovery of the burial site reopens an ancient horror, putting Daninsky on a collision course with an evil presence that threatens everyone close to him.
At the seventh minute, María Luisa Tovar is lying naked on a sacrificial altar. At the sixteenth minute, Barbara Capell takes off her jacket in the bedroom and is left wearing a very sexy dressing gown. At the twenty-fourth minute, a woman attacks Barbara Capell and tears off her shirt, exposing her breasts. At the seventy-third minute, Gaby Fuchs is lying in bed next to a man. He pulls back the sheet to reveal her breasts, then they kiss.
At the seventh minute, María Luisa Tovar is lying naked on a sacrificial altar. At the sixteenth minute, Barbara Capell takes off her jacket in the bedroom and is left wearing a very sexy dressing gown. At the twenty-fourth minute, a woman attacks Barbara Capell and tears off her shirt, exposing her breasts. At the seventy-third minute, Gaby Fuchs is lying in bed next to a man. He pulls back the sheet to reveal her breasts, then they kiss.
