A neglected wife (Laura Antonelli) allows herself to be seduced by an archaeologist visiting her husband in his large manor house. Both the architect and his son are fascinated by the woman’s sensuality. With Malizia 2000 (AKA Malizia 2mila), director Salvatore Samperi attempts to revive one of his great erotic classics by setting it in the 1990s. Unfortunately, it doesn’t hold up at all and ends up becoming the tombstone of the beautiful and unfortunate Laura Antonelli‘s career.
At the third minute, someone spies on Laura Antonelli through the half-open door. The woman is lying in bed sleeping, wearing a short slip that allows us to see her ass in skimpy panties. In a brief sequence at the 16-minute mark, Barbara Scoppa wears a white shirt with nothing underneath, which is very sexy. At the 55-minute mark, Barbara Scoppa lifts her skirt, revealing semi-transparent panties, stockings, and suspenders. Next to her, Laura Antonelli opens her robe and shows a black lace bodysuit, suspenders, and black stockings. Someone spies on her from a small window. In the sixty-ninth minute, Laura brings breakfast in bed to a man, then bends down to pick up some things from the floor and opens her dress to show him her thighs. In the eighty-seventh minute, the actress enters a man’s room and opens her robe as she walks towards him, leaving her in a transparent white tank top that reveals her beautiful breasts. The director jumps forward in time and we find Laura Antonelli sitting topless on the bed, putting on her robe after having sex, which we unfortunately did not see.
At the third minute, someone spies on Laura Antonelli through the half-open door. The woman is lying in bed sleeping, wearing a short slip that allows us to see her ass in skimpy panties. In a brief sequence at the 16-minute mark, Barbara Scoppa wears a white shirt with nothing underneath, which is very sexy. At the 55-minute mark, Barbara Scoppa lifts her skirt, revealing semi-transparent panties, stockings, and suspenders. Next to her, Laura Antonelli opens her robe and shows a black lace bodysuit, suspenders, and black stockings. Someone spies on her from a small window. In the sixty-ninth minute, Laura brings breakfast in bed to a man, then bends down to pick up some things from the floor and opens her dress to show him her thighs. In the eighty-seventh minute, the actress enters a man’s room and opens her robe as she walks towards him, leaving her in a transparent white tank top that reveals her beautiful breasts. The director jumps forward in time and we find Laura Antonelli sitting topless on the bed, putting on her robe after having sex, which we unfortunately did not see.
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