Metti lo diavolo tuo ne lo mio inferno is probably one of the most outrageous decamerotic films released in Italy in the early 1970s. The plot is unique, unlike most films of this genre, which were presented as collections of separate episodes. The residents of Montelupone, a small village, devise various schemes to steal the role of a mandatory stop for pilgrims heading to Rome from another village.
After the opening credits, Piera Viotti poses nude for a painter. The actress holds a small dog in her arms. The painter approaches Piera and kisses her passionately, then has her lie down on the floor to have sex with her. The arrival of her husband cools their ardor. At the 16-minute mark, Silvana Gabor opens her dress to show her breasts to a man sitting at the table next to her. At the 20-minute mark, the actress lies down on the bed wearing a semi-transparent slip. In another bed in another room, Giuliana Giuliani, topless, caresses her body, moaning with pleasure. Both actresses are visited by a horny man. At the thirty-ninth minute, a man approaches Melinda Pillon, who is beautiful and totally naked. The two want to have sex, but the arrival of her husband interrupts them. The man hides in a chest, but we discover it’s actually a wooden toilet, on which the husband and wife sit to defecate. At the 52-minute mark, Alessandra Maravia, topless, peeks through the keyholes of several doors in a convent. At the 58-minute mark, Melinda Pillon has sex in bed with a man, complaining that she wants him to say dirty words to her. At the 66-minute mark, Margaret Rose Keil and two other actresses undress and lean against the wall of a cave, asking to be whipped to atone for their sins. Afterward, the whipped women and their floggers sit down together to eat some bread. At the 80-minute mark, a man enters the bedroom and finds Piera Viotti naked. Hidden under the covers is her lover.
After the opening credits, Piera Viotti poses nude for a painter. The actress holds a small dog in her arms. The painter approaches Piera and kisses her passionately, then has her lie down on the floor to have sex with her. The arrival of her husband cools their ardor. At the 16-minute mark, Silvana Gabor opens her dress to show her breasts to a man sitting at the table next to her. At the 20-minute mark, the actress lies down on the bed wearing a semi-transparent slip. In another bed in another room, Giuliana Giuliani, topless, caresses her body, moaning with pleasure. Both actresses are visited by a horny man. At the thirty-ninth minute, a man approaches Melinda Pillon, who is beautiful and totally naked. The two want to have sex, but the arrival of her husband interrupts them. The man hides in a chest, but we discover it’s actually a wooden toilet, on which the husband and wife sit to defecate. At the 52-minute mark, Alessandra Maravia, topless, peeks through the keyholes of several doors in a convent. At the 58-minute mark, Melinda Pillon has sex in bed with a man, complaining that she wants him to say dirty words to her. At the 66-minute mark, Margaret Rose Keil and two other actresses undress and lean against the wall of a cave, asking to be whipped to atone for their sins. Afterward, the whipped women and their floggers sit down together to eat some bread. At the 80-minute mark, a man enters the bedroom and finds Piera Viotti naked. Hidden under the covers is her lover.
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