The Shrouds (2024)

After the death of his wife, entrepreneur Karsh develops GraveTech, a technology that keeps the memory of the deceased alive through interactive images on gravestones. Soon, however, his invention is threatened by sabotage, personal obsessions, and mysterious conspiracies that call his very reality into question. Amid ambiguous loves and memories that blur with visions, the film explores the fragile boundary between memory, desire, and illusion.
At the 29-minute mark, Diane Kruger gets out of bed totally naked and walks across the room. She stops at the foot of the bed to talk to the man who was sleeping with her, then turns and leaves the room. At the 56-minute mark, Diane Kruger enters the bedroom totally naked, wearing a strange collar around her neck. The actress approaches the bed and talks to a man lying down, then lies down on her side and the man positions himself behind her and hugs her. The actress is missing an arm and her left breast (removed in CGI, of course). In the following scene, Sandrine Holt is sleeping naked in a bed. When the man next to her gets up, the two exchange a few words. At the sixty-seventh minute, we see Diane Kruger naked again, with a mutilated body and a large scar on her right shoulder. The woman sits on the edge of a bed and talks to the man lying on it. At the seventy-seventh minute, Diane Kruger has sex with a man in bed. Her body has no wounds and is perfect and beautiful. The man takes her from behind and she moans with pleasure.