Toni Erdmann

Toni Erdmann

Directed By: Maren Ade

Nudometer:
Winfried tries to reconnect with his son Ines (Sandra Hüller), a strict corporate strategist in Bucharest, but his provocations initially drive them apart. To break the deadlock, he transforms himself into Toni Erdmann, an eccentric alter ego who infiltrates Ines’s professional life and turns it upside down. Through this shared madness, the two challenge their own limits, and Ines finally rediscovers the importance of her father in her life.
It is a rather long film, and for the first two hours there are no nude actresses. At the 123-minute mark, Sandra Hüller begins to undress in the bedroom and remains topless and in her panties. Immediately after undressing, the actress goes to open the door for a woman, who is the first in a series of guests. To welcome the second guest, a man with a bouquet of flowers, Sandra takes off her panties before opening the door. The man speaks with her, hands her a gift, but then doesn’t enter the house, and she closes the door. The woman who had entered the house chats briefly with Sandra and then decides to leave. Sandra accompanies her to the door, and when she opens it, there is a man who stops to exchange a few words. At the 30-minute mark, Sandra Hüller opens the door wearing a robe. On the other side of the door is Ingrid Bisu, totally naked. They exchange a few words, then Sandra takes off her robe and is naked again. Shortly after, a man wearing a huge furry costume enters the house. Finally, a naked man joins the group.

Nude scenes

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