Elena (Ambra Angiolini) is a professional woman committed against racism. Her husband Carlo, uninterested in her world, meets Nadine (Aïssa Maïga), the Senegalese wife of one of Elena’s colleagues, at a conference. A love that defies prejudice develops between the two, exposing contradictions and fears in both the Italian and foreign communities.
In the thirty-third minute Ambra Angiolini undresses, but she is framed from the back. The actress wears a silk robe and we see her nipples under the fabric. When she reaches down to remove her panties from under the robe, her breasts peep out from the cleavage. In the thirty-seventh minute Aïssa Maïga in a bra fixes her hair in the mirror. Three minutes later we see Aïssa Maïga naked while having sex in bed with a man. At the sixty-fourth minute the actress is lying naked next to a man in bed. The two are hugging, kissing, and chatting.
In the thirty-third minute Ambra Angiolini undresses, but she is framed from the back. The actress wears a silk robe and we see her nipples under the fabric. When she reaches down to remove her panties from under the robe, her breasts peep out from the cleavage. In the thirty-seventh minute Aïssa Maïga in a bra fixes her hair in the mirror. Three minutes later we see Aïssa Maïga naked while having sex in bed with a man. At the sixty-fourth minute the actress is lying naked next to a man in bed. The two are hugging, kissing, and chatting.
