Some young protesters live together in a commune in Milan. One of them, who is talented as a ventriloquist, is discovered by national TV and becomes a star of children’s advertising. While all the others abandon the protest to pursue success, only one remains faithful to the initial ideals.
In the fourth minute, in a brief scene, Agnès Spaak takes off her clothes and gets under the covers, showing us her breasts. Three minutes later, she and a man are dancing a circle in the bedroom. She is totally naked, he is wearing a shirt and panties. Nine minutes in, Paola Pitagora lifts her shirt to show her breasts to a number of people watching her from the stairs of a building. In the seventeenth minute Noris Fiorina is seen wrapped in a blanket, walking around a parking lot. She sits on the ground, with her back against a car. A man joins her and moves the blanket away to reveal her breasts. At minute 42, Sabina De Guida is topless and covered in white plaster. Thanks to the arms of two people hidden behind her, she is making an impression of an Indian goddess.
In the fourth minute, in a brief scene, Agnès Spaak takes off her clothes and gets under the covers, showing us her breasts. Three minutes later, she and a man are dancing a circle in the bedroom. She is totally naked, he is wearing a shirt and panties. Nine minutes in, Paola Pitagora lifts her shirt to show her breasts to a number of people watching her from the stairs of a building. In the seventeenth minute Noris Fiorina is seen wrapped in a blanket, walking around a parking lot. She sits on the ground, with her back against a car. A man joins her and moves the blanket away to reveal her breasts. At minute 42, Sabina De Guida is topless and covered in white plaster. Thanks to the arms of two people hidden behind her, she is making an impression of an Indian goddess.