Two very different sisters inherit an old farmhouse from a dead great-aunt and decide to turn it into a boarding house. The advertising flyer is too equivocal and people mistake the guesthouse for a brothel. L’affittacamere is an Italian sexy comedy revolving around the beautiful Gloria Guida, one of the icons of erotic cinema in those years.
Gloria turns us on right from the opening credits, when she changes clothes while sitting in the back seat of a car. Six minutes later, the actress is washing windows standing on a wooden ladder. In the courtyard, workers stop working to look under her skirt. Forty seconds later there is the film’s first full-frontal nude: Gloria Guida comes out of the shower and dazzles us with her stunning body.
Also undressing in the film is the glamorous Marilda Donà. A couple of minutes after Gloria’s full-frontal nude, a man undresses Marilda and kisses her breasts, then has sex with her in the back of a print shop. Two minutes later we witness one of the most famous sequences in Gloria Guida‘s filmography. The actress gets off the bus, but her dress gets stuck in the doors. When the bus drives away, it rips off her clothes and Gloria walks around the city in lingerie and garter belts, trying to hide. She finds refuge in a car left open, and when the owner returns he has a pleasant surprise. After half an hour of film without nude actresses, we witness a bizarre sequence: a man undresses Gloria Guida and fills her body with signatures made with marker pen. Soon after, Gloria asks another man to wash the ink off her. This is the second full-frontal nude of Gloria Guida, standing in the bathtub as the man sponges her skin. Twenty-two minutes later, Marilda Donà undresses in a hotel room, then performs oral sex on a man (but it is only simulated). In the next room, Gloria Guida is dressed as a sexy nurse and is playing with a man.
Gloria turns us on right from the opening credits, when she changes clothes while sitting in the back seat of a car. Six minutes later, the actress is washing windows standing on a wooden ladder. In the courtyard, workers stop working to look under her skirt. Forty seconds later there is the film’s first full-frontal nude: Gloria Guida comes out of the shower and dazzles us with her stunning body.
Also undressing in the film is the glamorous Marilda Donà. A couple of minutes after Gloria’s full-frontal nude, a man undresses Marilda and kisses her breasts, then has sex with her in the back of a print shop. Two minutes later we witness one of the most famous sequences in Gloria Guida‘s filmography. The actress gets off the bus, but her dress gets stuck in the doors. When the bus drives away, it rips off her clothes and Gloria walks around the city in lingerie and garter belts, trying to hide. She finds refuge in a car left open, and when the owner returns he has a pleasant surprise. After half an hour of film without nude actresses, we witness a bizarre sequence: a man undresses Gloria Guida and fills her body with signatures made with marker pen. Soon after, Gloria asks another man to wash the ink off her. This is the second full-frontal nude of Gloria Guida, standing in the bathtub as the man sponges her skin. Twenty-two minutes later, Marilda Donà undresses in a hotel room, then performs oral sex on a man (but it is only simulated). In the next room, Gloria Guida is dressed as a sexy nurse and is playing with a man.
