Rosa (Marina Suma), a Neapolitan factory worker, chooses to prostitute herself with the consent of her partner Tonino. Meanwhile, Tonino becomes close to a wealthy homosexual, whose goal is to marry Rosa and Tonino so that the couple can have a son. Le occasioni di Rosa marks Marina Suma‘s film debut, as well as her nude debut.
In the second minute, Marina Suma walks strutting through the streets of her neighborhood. Hard nipples stand out under the fabric of her red shirt. In the ninth minute, the actress enters a room where a man is waiting for her sitting on the bed. She stands in front of him and removes her skirt and shirt. She remains topless, wearing a pair of thongs and red fishnet stockings. She turns around to have her ass admired. In the fifteenth minute Fina Ferrara has sex with a man in the back of a car. In the thirtieth minute Marina Suma is sitting on the bed with a man. She takes off her shirt and shows him her breasts, then continues to undress and he does the same. A moment later they are lying on the bed and having sex. A man enters the room and looks at them. Marina gets up and leaves the room. In the eighty-third minute the actress looks at herself in a mirror, lifts her robe and touches her belly.
In the second minute, Marina Suma walks strutting through the streets of her neighborhood. Hard nipples stand out under the fabric of her red shirt. In the ninth minute, the actress enters a room where a man is waiting for her sitting on the bed. She stands in front of him and removes her skirt and shirt. She remains topless, wearing a pair of thongs and red fishnet stockings. She turns around to have her ass admired. In the fifteenth minute Fina Ferrara has sex with a man in the back of a car. In the thirtieth minute Marina Suma is sitting on the bed with a man. She takes off her shirt and shows him her breasts, then continues to undress and he does the same. A moment later they are lying on the bed and having sex. A man enters the room and looks at them. Marina gets up and leaves the room. In the eighty-third minute the actress looks at herself in a mirror, lifts her robe and touches her belly.