In 1841, ambitious merchant Dirk Struan founds a commercial empire in Hong Kong, recently ceded by the British after the Opium War. Amid political intrigue, betrayal, and rivalry with his sworn enemy Tyler Brock, Struan fights for power in the chaotic world of colonial trade. Tai-Pan tells the story of a man determined to dominate the East at any cost.
At the seventeenth minute, Playboy model Denise Kellogg is posing nude for a painter. At the forty-fifth minute, a man opens the door to a bedroom and finds Joycelyne Lew naked and tied to a wall, with whip marks on her back. At the fifty-first minute, Joan Chen is wearing an open robe over a sheer nightgown and is sitting by the fire, facing a man. The Asian actress munches on a shrimp, then we see her breasts peeking out of her nightgown. Shortly after, Joan gets up and walks to a bed, taking off her robe and giving us a clearer view of her breasts. Two minutes later, the actress washes her breasts while a man watches her lying in bed. At the seventy-second minute, Joan Chen is wearing a very transparent blue nightgown and we see her breasts as she talks to a man. At the eighty-seventh minute, Joan is standing on the edge of a bed and takes off her robe, remaining in a transparent slip, then slips into bed next to a man.
At the seventeenth minute, Playboy model Denise Kellogg is posing nude for a painter. At the forty-fifth minute, a man opens the door to a bedroom and finds Joycelyne Lew naked and tied to a wall, with whip marks on her back. At the fifty-first minute, Joan Chen is wearing an open robe over a sheer nightgown and is sitting by the fire, facing a man. The Asian actress munches on a shrimp, then we see her breasts peeking out of her nightgown. Shortly after, Joan gets up and walks to a bed, taking off her robe and giving us a clearer view of her breasts. Two minutes later, the actress washes her breasts while a man watches her lying in bed. At the seventy-second minute, Joan Chen is wearing a very transparent blue nightgown and we see her breasts as she talks to a man. At the eighty-seventh minute, Joan is standing on the edge of a bed and takes off her robe, remaining in a transparent slip, then slips into bed next to a man.
