Le nom des gens (AKA The Names of Love) follows the story of Bahia Benmahmoud (Sara Forestier), a young left-wing woman who seduces right-wing men to convert them to her political ideas. When she meets Arthur Martin, a reserved technician with a family history linked to the Holocaust, an unexpected relationship develops between the two. The film explores their lives, differences, and cultural roots against the backdrop of contemporary French society.
At the 27th minute, Sara Forestier is at the checkout of a supermarket and her dress slips off one shoulder, revealing a breast. A minute later, the actress is walking down the street totally naked. She gets on the subway, scandalizing some passengers. We see Sara Forestier completely naked again at the 30th minute, as she walks around her house and serves drinks to a male guest. Shortly after, he helps her get dressed. At the 42nd minute, a man caresses Sara’s back as she lies naked on the bed, partially covered by a sheet. The man draws a star on her back with a marker, then receives a phone call and gets out of bed, getting dressed in a hurry. She imitates him. At fifty-nine minutes, Sara Forestier, wearing panties and a bra, tries on some clothes in front of a man. At eighty-four minutes, Sara undresses in front of a window, then walks towards the bed where a man is waiting for her.
At the 27th minute, Sara Forestier is at the checkout of a supermarket and her dress slips off one shoulder, revealing a breast. A minute later, the actress is walking down the street totally naked. She gets on the subway, scandalizing some passengers. We see Sara Forestier completely naked again at the 30th minute, as she walks around her house and serves drinks to a male guest. Shortly after, he helps her get dressed. At the 42nd minute, a man caresses Sara’s back as she lies naked on the bed, partially covered by a sheet. The man draws a star on her back with a marker, then receives a phone call and gets out of bed, getting dressed in a hurry. She imitates him. At fifty-nine minutes, Sara Forestier, wearing panties and a bra, tries on some clothes in front of a man. At eighty-four minutes, Sara undresses in front of a window, then walks towards the bed where a man is waiting for her.
