Ashley Judd and Mira Sorvino play the two sides of Marilyn Monroe: the beloved diva and the fragile Norma Jean hidden inside her. While Marilyn conquers the world with charm and sensuality, Norma Jean struggles with unresolved trauma. An intimate portrait of the conflict between public image and private torment.
Immediately after the opening credits, we see Ashley Judd totally naked while attending a religious service. Two minutes later, the actress takes off her swimsuit in front of a guy and then dives into the pool. He dives in shortly after and embraces her. At the twenty-eighth minute, Ashley Judd gives us a fabulous full-frontal nude when she strips to pose on a red cloth and recreate a famous Marilyn Monroe photo shoot for Playboy published in the 1950s. At the thirtieth minute, a sick man is lying in bed and asks Ashley to show him her breasts. She agrees and lifts her shirt. He is happy and spreads his arms to hug her. At the fifty-fourth minute, Erika Nann and Mira Sorvino place their breasts on the ground to make a mold in the fresh cement. At the ninety-first minute, Ashley Judd cuts her dress with scissors and frees her breasts. At the ninety-eighth minute, Mira Sorvino stands on a lawn, lowers her dress, and shows her breasts to a man.
Immediately after the opening credits, we see Ashley Judd totally naked while attending a religious service. Two minutes later, the actress takes off her swimsuit in front of a guy and then dives into the pool. He dives in shortly after and embraces her. At the twenty-eighth minute, Ashley Judd gives us a fabulous full-frontal nude when she strips to pose on a red cloth and recreate a famous Marilyn Monroe photo shoot for Playboy published in the 1950s. At the thirtieth minute, a sick man is lying in bed and asks Ashley to show him her breasts. She agrees and lifts her shirt. He is happy and spreads his arms to hug her. At the fifty-fourth minute, Erika Nann and Mira Sorvino place their breasts on the ground to make a mold in the fresh cement. At the ninety-first minute, Ashley Judd cuts her dress with scissors and frees her breasts. At the ninety-eighth minute, Mira Sorvino stands on a lawn, lowers her dress, and shows her breasts to a man.
