A farmer catches his daughter (Patrícia Scalvi) copulating with one of his laborers. She takes him into the woods and kills him with a hatchet. The girl dies of sadness and both haunt the farm like ghosts. Years later the farm is sold to a married couple, Célia (Célia Santos) and Fábio. The ghost of the farmhand turns Célia into a homicidal nymphomaniac. At the beginning of the film there is a long sex scene with Patrícia Scalvi naked, in bed with her partner. Eighteen minutes later (but ten years have passed in the film) we admire Célia Santos naked while having sex with a man in bed. The two do a variety of positions, then she rests swinging in a hammock. Shortly thereafter, Célia is alone in the house, still wanting to fuck. She leans against the wall of a room, undresses and masturbates fiercely. At night the scene is repeated: Célia Santos naked in bed with her hands between her legs. Her husband wakes up and the two have sex. The next morning Célia is more assaultive than the night before. She undresses in front of her husband and demands another sexual performance. Patrícia’s ghost watches her and makes her commit murder. The woman ends up in the asylum and Lígia de Paula goes to live in the house. Of course, she too becomes a murderous nymphomaniac. Six minutes after the last hot scene Lígia de Paula takes off her clothes and asks her partner for oral sex. Three minutes later we get turned on by a beautiful lesbian scene with Ana Maria Kreisler and Lígia de Paula. The two kiss and touch each other with great passion. After the bath the two have fun with a dildo, simulating a blowjob.
