In England, a French actor falls in love with a charming girl (Ewa Aulin) suspected of murder and desperately tries to prove her innocence. Meanwhile, the police are on the couple’s trail. The Tinto Brass of the 1960s makes a foray into the crime thriller under the aegis of the Antonioni of Blow-up, quoted in words and posters at several points in the film. Ewa Aulin seduces the viewer with her beauty, but she undresses too little.
In the twenty-first minute a shirtless man is standing in front of Ewa Aulin, wrapped in a towel. He removes her towel and kisses her. In the foreground is the man’s back, but when she moves slightly we can see her breasts for a few moments. In the 41st minute Monique Scoazec points a rifle at a man. The threat is short-lived: Monique lowers her weapon and exits the room. Her shirt opens and we see her breasts for a couple of seconds. In the fiftieth minute Ewa Aulin is lying on a cot wearing only semi-transparent white lingerie and white fishnet stockings. We find her a few minutes later, sexy and gagged, when a man arrives to free her. In the 61st minute Ewa has sex with a man in a photo studio.
In the twenty-first minute a shirtless man is standing in front of Ewa Aulin, wrapped in a towel. He removes her towel and kisses her. In the foreground is the man’s back, but when she moves slightly we can see her breasts for a few moments. In the 41st minute Monique Scoazec points a rifle at a man. The threat is short-lived: Monique lowers her weapon and exits the room. Her shirt opens and we see her breasts for a couple of seconds. In the fiftieth minute Ewa Aulin is lying on a cot wearing only semi-transparent white lingerie and white fishnet stockings. We find her a few minutes later, sexy and gagged, when a man arrives to free her. In the 61st minute Ewa has sex with a man in a photo studio.
